The first few differences between the Goldberg Variations 1955 and 1981 versions come quickly and easily noticed. The 1955 version is a little faster in terms of tempo, and from listening you can tell it’s someone playing something that is well-practiced and meant to be performed. With the 1981 version I noticed it felt like every note was meant to be heard and appreciated, the slightly slower tempo allowed for some freedom of movement. The ‘81 version feels as though it is someone playing for the sake of music, and enjoying the piece for the music that it is rather than the notes that are on the page. It’s almost as if the ‘81 version is articulating the notes back to us in a more precise and almost respected way. I typically enjoy how in the ‘81 recording you can hear moments of the performer singing the melody along as he plays. It shows that he’s really enjoying himself, and knows the piece well for what it is to be. Having the capability as a performer to connect with the music you’re playing in that way can play such a powerful role in the audience or listener’s experience.